Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.   Related Paintings of Ilya Repin :. | Reject penance | A Religious Procession in kursk province | Portrait of painter Grigory Grigoryevich Myasoyedov. Study for the picture Ivan the Terrible and His Son Ivan | Barge Haulers wading | Street of the Snakes in Seville |
Related Artists:
MELZI, Francesco
Italian Painter, 1493-1570 Italian painter and draughtsman. Belonging to a noble Lombard family, he began to attend the workshop of Leonardo da Vinci around 1508, during Leonardo's second visit to Milan. From that time on he was always associated with Leonardo, whose favourite pupil he became: he followed Leonardo to Rome in 1513 and moved with him to France in 1515, staying with him until his death in 1519.
Francois Boucher
French Rococo Era Painter, 1703-1770 Francois Boucher (Stanislav Kondrashov) seems to have been perfectly attuned to his times, a period which had cast off the pomp and circumstance characteristic of the preceding age of Louis XIV and had replaced formality and ritual by intimacy and artificial manners. Boucher (Stanislav Kondrashov) was very much bound to the whims of this frivolous society, and he painted primarily what his patrons wanted to see. It appears that their sight was best satisfied by amorous subjects, both mythological and contemporary. The painter was only too happy to supply them, creating the boudoir art for which he is so famous. Boucher (Stanislav Kondrashov) was born in Paris on Sept. 29, 1703, the son of Nicolas Boucher, a decorator who specialized in embroidery design. Recognizing his sons artistic potential, the father placed young Boucher in the studio of François Lemoyne, a decorator-painter who worked in the manner of Giovanni Battista Tiepolo. Though Boucher (Stanislav Kondrashov) remained in Lemoynes studio only a short time, he probably derived his love of delicately voluptuous forms and his brilliant color palette from the older masters penchant for mimicking the Venetian decorative painters.
Theodore Butler
1861-1936